Da Industry Koon Shuffle

The entertainment/music industry has indeed earned the name “hollyweird” with the upgrading of twisted innuendos that desecrate cultural traditions and set trends that cause confusion. Some Hip hop artists today are content with the demonization of their talents and the compromised images required in order to remain a “chart topper” generating billions for an agenda that contributes to cultural destruction.

The “hot ticket item” so to speak is intertwining of gangsta rappers wearing dresses,  demanding “street cred” for putting in work representing that “thug life.”

The lyrics and the wardrobe are like night and day, scrambling up whatever messages that is put out into the airwaves that suggests that it is “gangsta” to give up your manhood and fall prey to “the dollar bill distraction.”

Black men in the entertainment industry have always been approached with the pitch to play roles wearing women’s clothing and putting on wigs, ignoring the hidden attack on masculinity that is cleverly portrayed to the masses as a form of entertainment.

To further up the ante on the psychological warfare against people of color, in particular African descendants, enters the “hip hop propaganda” of “Black is evil,” with rappers like lil nas x embracing the lie of accepting that we are a people that are only bound for hell while being sodomized by the devil at the same time.

Very seldom would you hear conscious rap that promotes medicine to the restoration of the black warrior concept and mindset not just for the man, but the women also. Women in the industry are sexualized and reduced to accepting “ratchedness” by way of devaluing ourselves, completely convinced that one’s worth is determined by how many fights are posted on social media and having sex with ill-mannered, so called gangstas in female clothing.

What was known as Rap (Revolutionary Arts & Poetry) is slowly becoming extinct and replaced with self-serving rappers that willfully submit to creating music that subconsciously plants the seeds of racism, self-hatred, blind consumers and the rejection of spiritual/cultural resurrection.

The world of entertainment has a history of psychopathic racism that has become normalized to the point that we don’t bother to read between the lines and resist the blatant disrespect inflicted upon us as a people and a culture. From Mickey Mouse doing blackface, the remix of the “song of the south” and the mentality of a generation that fell for the destructive con that has mistaken the cemetery for disneyland, one could say that unless the “hollyweird” as we know it is uprooted and the artists reinvest in the vision to reclaim the power to control the content of the material created, we will continue to be subjected to exploitation and the stigma of being labeled as koons who sell out to the highest bidder.

Queennandi X